A Sentence About the "Government Shutdown"  

Posted by Wayne Bretski

"When the threat to opt out is empty for both agents, the outcome corresponds exactly with the (generalized) Nash bargaining solution." - from the abstract of Randolph Sloof's Finite Horizon Bargaining... paper from 2002 (direct PDF link).

We've got some Hollow Threats in the news, this time from the US gov't. Ho hum, right, except Miss Bee and I wouldn't get paid. "Government shutdown" sounds so...I don't know...Windows '95.

The preceding sentences look like this:
Typically the delay threat determines proposals in early periods, while the threat to opt out characterizes those in later ones. Owing to this nonstationarity both threats may appear in the equilibrium shares agreed upon.
Oh, they're going to make on a deal on the budget. Ok. The delay threat has diminished. Reps and Dems can't opt out. I would have put a comma between "nonstationarity" and "both", but otherwise the model holds.

*fingers in ears*

Moving to Mexico, la la la la...

Tip of the hat to T.C.

Geez. Or, Moderation is Dead  

Posted by Wayne Bretski


File under: "I can't even imagine this statistic being true."

According to the National Center for Health Statistics, the average American bride and groom hope to drop 162.9 pounds, jointly[...]

I sort of hope it's not, but then again, this is America. The Slate article talks about a TV show dedicated to such efforts.

Filed concurrently with the oral tradition of gossip and hearsay that tells me that the average American wedding is costing the couple and their families over $30,000.

At what price sanity?

From our wedding, a photo of Thomas filming the proceeds from outside the chapel, a bit before things got under way. We came in well under budget.

Worst Paragraph I've Read in a While  

Posted by Wayne Bretski

Photo by JD Photography (Flickr)

From The Economist. Not the writer's fault:

The protesters’ main demand was for more jobs—and welfare for those without them. Sultan Qaboos [of Oman] has hastily declared that this will be done, raising the minimum wage by 40%, to 200 riyals ($520) a month.

Sultan Qaboos has obviously never enrolled his spectacular name into an introductory economics class. If he had, the working class of Oman would not suffer the unintended-but-easily foreseen consequence of raising the minimum wage. As a business owner, if I am paying more money for my workers while the same amount is coming in, then I'm certainly not in the position of paying more workers. Thus, an increase in the minimum wage, especially such a dramatic one as enacted by the Sultanate, will have the opposite effect of that desired by the populace.

The Reading Post  

Posted by Wayne Bretski

I got a great book recommendation this morning from our librarian. (The Disappearing Spoon by the way, nonfiction about the periodic table of elements.) She thought it fit my "dorky" personality, which was a nice back-handed compliment. That recommendation was a good impetus for me to finally write up some thoughts on reading, though.

The iPad, which I am an owner of, has been a very interesting addition to my reading roster. Before I was given this beloved gift, an article from Alexander Chee was posted to The Morning News. The following paragraph sucked me into the premise:

It began with approximately two paragraphs of the book, lit up on the screen of my phone. I tapped the side of the screen and it flew to the next three paragraphs, and so on. A few minutes passed and I observed that I was reading peacefully. It was both an entirely new reading experience, like I had a secret that fit inside the palm of my hand, but it was also familiar: In the fifth grade I was taught to speed-read on a machine that projected sentences onto a wall at high speeds, sentences in the white box of a screen, flashing in a dark room.

Moments later, I got off the train. That went well, I decided, and slid my phone back into my pocket. And then I drew it back out, turned the app on, and kept reading as I walked, something I taught myself to do as a child when I lacked the patience to put a book down in order to walk to school.

Written about the iPhone's tiny screen, this resonated, to say the least. I remember reading during dinner when I was a kid - I'd get like half a page done. It's not always about the efficiency, but the process.

Near the end of the article, this:
There have been unexpected domestic discoveries: The iPad is perfect for reading at night next to someone who’s asleep, both the book and the flashlight I hid under my covers as a kid. When I need to get water or go to the bathroom, I can use it to see where I’m going in the dark and not wake Dustin by turning on a light. I’m still prone to creating the need for a new bookshelf, with a recent purchase of eight physical books in a single store visit, but I’ve also put 12 books into what Dustin and I now call “the devices.” We both see this as a victory.
Miss Bee and I feel the same way. Her nook and my iPad are conspiring to knock paperbacks right off our to-do lists. We are still working our way through a small backlog of previous purchases, like Zeitoun by Dave Eggers and The Lacuna from Barbara Kingsolver. But I don't see us purchasing additional copies of physical books except in special circumstances.

*Before moving onto the Luddite's nightmare, let me recommend this short riposte from the editors of Ask the Paris Review, entitled Writers and Their Libraries. A host of good suggestions about the wood-pulp side of book stewardship.*


Which leads me to Gary Becker's recent blog post that begins: "The traditional bookstore is doomed by e-readers and online sales of hard copy books." Some interesting notes that follow.
The process of development has been presumed to cause a substitution of market activities for home production. For example, households in poor rural societies have not only grown their own food, but also made much of their clothing, washed their clothes, baked their bread, and cooked from scratch their other food. As countries underwent economic growth, many of these productive activities left the home and migrated to the marketplace. Factory-made clothing was substituted for clothing made at home, and bakeries and laundries developed to make bread and sweets, and to wash, clean, and dry clothes.

Further technological developments, however, such as small motors used in home washing and drying machines, and small machines that cooked bread easily at home, shifted many activities back into the home, and thereby saved on time and energy spent in the shopping process. The online digital revolution is a further major step in this trend of returning activities to the home. Time and effort are saved, for example, when instead of going to movie theatres, consumers both order and download films online to be viewed at “home”, either on television sets, or increasingly on computers.

Read the whole thing here. Insightful, and once again, my experiences resonate with the sociological theory of the author. In point of fact, Miss Bee and I have had free movie tickets, with popcorn vouchers, for months now and still haven't managed to leave the house to consume a new film in the theaters.

Except for the whole bread-making machine thing...that never really caught on.

But hearkening back to the Chee article, I didn't expect my reading experience to be radically altered by the medium. To wit, until I killed my iPhone, I had the nook and Kindle apps on my phone, iPad, and Mac. I could read with any of the devices. But this article on the Read It Later blog shows some evidence that the medium does matter. The phone is used for "whitespace", those short spans of downtime during the day. The computer is used throughout the day, mirroring the amount of input we receive. But the iPad user graph is heavily concentrated during the evening hours, what the author calls "personal prime time". The gist? More of my online reading is going to the iPad than expected, in addition to the "print" media I consume with it (newspaper, sports highlights, weather, books).

Read It Later is part of a crop of great new webapps that save content you find online to read another time. It's like a file folder, or even just a stack of articles you rip out, that you can peruse later when you have the time and inclination. I use Instapaper myself, and would recommend it to anyone. Here's their 2010 aggregation called Give Me Something To Read. Click through the link and give the service a try.


Another list I glommed onto this year was part of Kevin Kelly's Cool Tools website, which he calls "The Best Magazine Articles Ever". With such an audacious title, Mr. Kelly made a good move in crowd-sourcing recommendations, and thus sharing the blame of any critical resistance to the selections. That said, there is a lot to love in those pages, from Gay Talese's coverage of Frank Sinatra's sinuses to David Foster Wallace's ode to the savage grace of major tennis stars. Have a look, and happy reading. (If you need a New Yorker login name and password to access an article, email and I'll share mine with you.) As I read through this list again, it's sort of amazing how many of these articles I have discussed with or recommended to friends - it is a repository of cultural treasure.


The title of the Chee article also reminded me of a few things. Most notably, I, Robot starring Will Smith. But I digress. In the spirit of the Becker article, here is a link to the Leonard Read econ classic "I, Pencil" - so old that the text references Ceylon, but still so poorly grasped by most people.

I am a lead pencil—the ordinary wooden pencil familiar to all boys and girls and adults who can read and write....Simple? Yet, not a single person on the face of this earth knows how to make me. This sounds fantastic, doesn't it? Especially when it is realized that there are about one and one-half billion of my kind produced in the U.S.A. each year.

Milton Friedman follows up, with plenty more on YouTube where it comes from:




Dear reader, happy reading to you in 2011. It is shaping up to be the best year for personal reading since leaving for college, and I hope that you are in some small way inspired to read something fantastic!

And for those of you that like a spot of tea with your novel, be sure to check on Christopher Hitchens writing for Slate about the proper way to make tea, via the George Orwell method.

Chrysanthemum  

Posted by Wayne Bretski

We think it's her one-year anniversary today. Here are some pictures from the year past.

First up is from Tucson last February. Her head is cut off on my cell phone photo, but you can see how small she was.


More recently on our air mattress. One of her new nicknames is "Length".


On a wicker-chair throne before the beginning of this school year.


Guarding the apartment.


Her first day. Not sure if this picture has been shown around, but this is seconds after walking out the door with our first dog. She proceeded to defecate on Miss Bee's lap about 15 minutes later.

We love our dog

School Things in a Text-y Post  

Posted by Wayne Bretski

1. I have my Masters degree - it's done, and official, and everything. Whoo!

2. We are registered to attend the UNI Overseas Placement Fair in February, which is exciting.

3. You are reading the words of the new basketball coach at school. That's right, I volunteered to spend an additional multiple-hours per week after school...well, I expect it to be pretty fun, and an easy way to get some much-needed exercise. Already started planning out my practices - on second thought, only one hour a day three days a week doesn't sound like enough!

4. I read a great article this weekend. As usual from Becker and Posner, smart thoughts on international school performance data. Does it blow anyone else's mind that these two gentlemen deign to contribute to the blobosphere? Not too much to offer, but their comments ring true to me as a practitioner of the public-education arts. Dense with information. Highlight reel from Posner:


The rankings tend to be interpreted as measures of the quality of a nation’s pre-collegiate school system (primary and secondary education, since primary education influences performance in secondary schools). But this may be a mistake. Schooling is only one, though doubtless an important, input into performance on the PISA tests. Another is IQ...[which] is understood to reflect both genetic endowment and environmental factors, particularly factors operative very early in a child’s life, including prenatal care, maternal health, the educational level of the parents, family stability, and poverty (all these are correlated, and could of course reflect low IQs of parents as well as causing low IQs in their children)...The 2009 PISA test scores reveal that in American schools in which only a small percentage (no more than 10 percent) of the students receive free lunches or reduced-cost lunches, which are benefits provided to students from poor families, the PISA reading test scores are the highest in the world. But in the many American schools in which 75 percent or more of the students are from poor families, the scores are the second lowest among the 34 countries of the OECD; and the OECD includes such countries as Mexico, Turkey, Portugal, and Slovakia...

Top 10 Albums of 2010  

Posted by Wayne Bretski

It is the best of tropes, it is the worst of tropes. It is time for the Top 10 of 2010 Lists. I love the top 10 lists, for informing me of what I missed this year and how I can rectify that in the future. I also love them for pumping out a firehouse of teaser tracks. Don't get it twisted, I did pay for some of the full albums on this list, but to be honest, I heard most of these albums for free by piecing the various available tracks. Of course, in the case of Nosaj Thing, for example, hearing five or six songs was enough to have me hooked, and by the time my iTunes play count hit 10 Guido's "The Way You Make Me Feel" single it was time to go cover to cover. So yes, I bought more music than I would have due to the presence of their free mp3s online.

The "Top X" List can definitely be faulted in a number of ways. They are arbitrary for one, and so subjective as to be almost meaningless in terms of credibility or plausibility for others. As the phrase goes, "your mileage may vary". Further, some of the lists strain credulity. Top 65 Shoe-Gaze Albums of 2009. The 47 Best Witch House Tracks Not Produced By The Guy From Salem. Top 10 Worst Album Covers of the Year. Guess which one of those was real... answer here.

List makers also strain credulity in other ways, namely, how they digested the amount of music they claim to have not only listened to, but liked, nay, loved, in a given time period. While I may have a full-time job, that isn't in the music business, and furthermore isn't online, I still work pretty hard at hearing a lot of music. But I had a hard time picking out ten Full Albums that I enjoyed this year. (One sad thing that happened was that I got really into Mayer Hawthorne this year, but it came out in '09.) You'd like to say that you are highly familiar with each track on your top X list, and that you enjoy close to all of them. But it's just not the case. I trust that the full-time reviewers, who are given/comped new albums on the regular and have a lot of time and energy to devote to music can put together a moderately truthful list, even if it includes a lot of preening, signaling, and jockeying for position in the intangible (hipness) and highly tangible (Technorati).

They (the Lists) are massively useful, however, for finding other blobbers whose tastes match approximately to mine, or close to the blobs that I follow, and so on. Last year I got into dubstep, jj (youtube video), and Freddie Gibbs (see below) as a direct result of the '09 List Season. This year, who knows?

2010 also saw me busting out Audacity and mixing up some medicine. (See my femmes fatale mix for more:

Femmes fatale by Bret Sikkink

In honor of my new hobby, I've put together a mini-mix featuring songs from each of my 2010-List artists. These songs are not necessarily from the album in question, but are in some sense representative of what I like about the artist. Available for your streaming pleasure following entry #10.


Graphic credit: Sam Churchill (Flickr)

Without further ado.

1. My favorite album of the year, as ranked both by my spidey sense and by iTunes count, was by Bristol producer Guido, on the Punch Drunk label.
Anidea is chock-a-block with deeply soulful beat-making English-style, and for that sheer suck-it-down listenability, it gets the nod. Sampler from Guido is an instrumental version of "The Way You Make Me Feel" from his FACT Magazine mix (the polished version with help from a singer called "Yolanda" is on the full album). Follow that link for more Guido fire from FACT mix 108.

I also wrote about Guido and his
partners in purple here.

2. I bought Nosaj Thing's
Drift at the same time as Guido's album, and I initially ignored it in a shameful fashion as I went for the easy hooks on Anidea. Jason Chung's compositions creeped into my brain, though, and really took hold. In fact, my prediction is that Drift will hold up much better than most of the Purple Sound producers, and will sound as good as its release many years hence. Also of note is the remix album of Drift on Brainfeeder, which offers a different take on some of these tunes. Check out "Coat of Arms" from the album here:

Notable L.A. artists of this year: Flying Lotus with
Cosmogramma, Alpha Pup Records' Take, Alex B, Lorn, and Shlomo, as well as Daedelus, The Gaslamp Killer, and Teebs, whose full-length Ardour I am just dipping into. Long live the Low End Theory scene.

3. Besides electronic "dance" music, I continued to enjoy a broad cross-section of hip-hop this year. My favorite album of the year in hip-hop was undoubtedly Big Boi's Sir Lucious Left Foot: Son of Chico Dusty. For such an unbelievably dumb title, SLLF:SoCD produced some true bangers, and showed a lot of people that Andre 3K wasn't the only widely-eclectic visionary in Outkast. The crazy thing is, Antwon Patton had to leave some choice cuts with Andre Benjamin on the cutting room floor due to inter-label beef. Lame - Obama extended Bush's tax cuts and Jive can't loan Dre's voice to General Patton for two jams? Listen up for "The Train Part 2" and hit this link for the video to "Shutterbug".

4. A close runner-up this year, coming from a total underdog, was technically a mixtape (see #5 as well). Big K.R.I.T. produced, mixed, and rhymed on
K.R.I.T. Wuz Here, sampling over 1,000,000 different songs in the process. Okay, you caught me... seriously, this shit was free, so what are you waiting for. I've mixed up the "Hometown Hero" remix featuring Alabama's Yelawolf. Download "K.R.I.T. Wuz Here" at djbooth.net.

5. Freddie Gibbs took my listening habits by storm this year. I didn't download
Midwestgangsterboxframecadillacmuzik until I couldn't shake that "Boxframe Cadillac" beat. Although Str8 Killa, No Filla is technically a mixtape, and is not quite an accurate descriptor (c'mon, all hip hop albums have some filler...), it still makes my year-end list. The Malcolm of the Midwest brings a low-tone but highly nimble flow and a serious, muck-raking, and even earnest attitude to his experiences. Big shout to "Slammin'". Str8 Killa No Fillaavailable here Also worth checking out: The Smoking Section's article about mixtapes that could have/should have been proper releases this year.

More hip-hop news: Shabazz Palaces was ridiculous, G-Side and the Block Beattaz crew did some big things, The Kid Daytona's The Interlude mixtape, The Roots are back with How I Got Over, plus see some notes below.

6. Rusko is one of the producers on the new Britney Spears record. Better you hear it sooner than later. Also, you may want to google "brostep". Dubstep took a beating this year, critically speaking, but it's okay to love the wobble as far as I'm concerned.

With that out of the way, Rusko's O.M.G.! bumps deeply. Like Bristol's Gemmy, he brings a deep reggae and dancehall sensibility to his dubstep and electronic dance music. I feel like he makes a lot of missteps, but for every clunker is a seriously awesome beat. My O.M.G.! highlight is "Jahova", but I "Woo Boost" on the mix.

Other reggae-tinged affairs I liked this year included Nas and Damian Marley's Distant Relatives album, Earlyworm, Rod Azlan singles, Earl 16, OSC, and Jah Cure, as well as the dubstep-meets-Sun Ra group Digital Mystikz featuring occasionally solo artist Mala.

7. Not sure how many people can honestly trace their musical roots back this precisely, but Audiogalaxy.com used to have a ridiculously detailed breakdown of musical genres (as they were understood at the time). Occasionally, and seemingly at random to my 8th grade mind, there was a free sample mp3 of a song that was considered representative of a genre (since most of the other songs I remember downloading were from jam bands, I'm going to push that back to 10th grade). This is how I discovered David Byrne, Yesterday's New Quintet (the Madlib jazz project), and Four Tet. I got to know Kieran Hebdan's work quite a bit more after checking out some CDs from the local library, and I've studiously followed his Four Tet output since (Rounds is my favorite - who's with me?). Also, XLR8R magazine recently front-covered Kieran for a great article.

Listen to the "Much Love to the Plastic People" DJ mix from Four Tet:
Much Love To The Plastic People (DJ mix December 2009) by Four Tet


Notable easy-listening electronica: Bonobo Black Sands was amazing, and if it weren't for my long history with Four Tet, I could easily see Bonobo's fourth album here in my top ten. Also Teebs' Ardour which I mentioned and Mount Kimbie's Crooks and Lovers and Caribou's Swim.

8. LCD Soundsystem was profiled this year in the New Yorker. Is that enough said? Probably not. I completely fell for his first album - how it fell in my hands I can't remember (but I think a Phones remix might have been at play...). "Never As Tired As When I'm Waking Up" was so astonishingly brilliant and original (and could have been a Pink Floyd B-Side from 1969-1972) and combined with some insistent dance beats and refreshing honesty, humor, and satire, James Murphy's music became a close friend and driving partner for many Des Moines-Omaha roundtrips. That was several years ago, and I thought Sound of Silver was a little grandiose and less funny. Maybe it was just my attitude, but I like this year's This is Happening quite a Hit the break for "Dance Yrself Clean".



9. 2010 was a big year for me and Erykah Badu. Miss Bee discovered a pristine copy of her 1997 LP Baduizm at Revolver Records here in Phoenix, and from the moment the needle dropped on "Rimshot (Intro)" I knew I had made a mistake overlooking the queen of neo-soul, but my familiarity with D'Angelo, Maxwell, Musiq, and Raphael Saadiq was deep enough to know that Baduizm was in another league. Tearing through her back catalogue, I hit a slump after Mama's Gun (save for "The Healer (Hip Hop)" from New Amerykah, Part One). Part Two came out this year, and proved very enjoyable: organic, spare but lush, deep beats. Pretty classic Badu; I was sold on the singles "Window Seat" and "Love" early on, and recently re-enjoyed the rest of the album enthusiastically. Return of the Ankh indeed.



Notable R&B this year: Aloe Blacc, Janelle Monae, Kings Go Forth, Mark Ronson and the Business International, Dam-Funk, some new Mayer Hawthorne singles.

10. I do listen to rock music, indie and otherwise, it just rarely occurs that I love an entire album. Plenty of enjoyment was wrung out of Sleigh Bells, Tame Impala, Ariel Pink's Haunted Graffiti, Phantogram, Warpaint, Belle & Sebastian, Spoon, Psychobuilding, Liars, a Pavement reunion, and especially the Arcade Fire's new monument to full-band bombast The Suburbs. However, my favorite rock album this year was The New Pornographers Together which followed the AC Newman formula to pop perfection. From the lead single "Your Hands (Together)" to "Daughters of Sorrow", just classic Montreal-collective indie.

Minimix of 2010 Favorites

The tracklist is in timed comments. Enjoy:

2010 Minimix by Bret Sikkink

Addenda: Because I have more wind than an Ethiopian marathoner.

Pre-2010 obsessions from 2010:

-Big shout out to Ollie for sending me a link to download Steinski's retrospective for free. May be still available here.
-Google THANK U SCREW to find a free mixtape of DJ Screw classics by an unprintable producer. The remix of Aaliyah's "One in a Million" in particular is ruthless (I posted it to Facebook, if you are my friend and care enough).
-Mayer Hawthorne killed it with A Strange Arrangement in 2009, I just wasn't trying to hear it. Now I'm hooked.
-Got into jj's dreamy beat-pop from '09 lists and followed them a bit as well this year.
-2009 was the year of hip-hop beatmakers, while I got into the more electronic side this year. Star Slinger and Onra are some holdovers.

What's coming in 2011?

+ I'm looking forward to going through full-length hip hop albums from Yelawolf, Freddie Gibbs, Big K.R.I.T. and G-Side. Hopefully more of the Block Beattaz/Hunts Vegas crew gets some music out (I see you Jackie Chain, Mata, et. al.).
+ DJ Burn One had a banging 2010 and I can't wait to see what he's been working on. Same story with Big K.R.I.T. who should have a proper release like yesterday, and hopefully Bangladesh keeps cooking up those low-down beats for up-and-coming ATLiens as well as the big names.
+ From England, Young Montana did some big things this year, and if he puts together a full album I would expect some fire.
+ Didn't hear much in the way of new stuff from Joker this year, so hopefully some burners are in the oven.
+ Getting into Teebs, Baths' Cerulean, and hopefully a host of others from 2010 best-of lists.
+ Prediction: Low End Theory producers will keep producing bangers, and I will keep downloading them.

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